Saturday, June 24, 2006

My Mother's 22 Rooms

I cannot sing the old songs, or dream those dreams again - Charlotte Barnard

There it is. Huddled among other dolls and a few shreds of cloth. It is wearing a blue dress. I don’t remember what mine wore, for it has been sixteen years since I saw it. It might not be there anymore, but I would like to believe that it is there, invisible to the new occupants of my house. It is a dancing girl made of earth, decorating a corner of my friend’s drawing room. Touch it a little and it will start dancing, moving her neck gracefully. My dancing girl, mother bought it, when I was a child, from a potter selling his stuff on a pavement in Lal Chowk.

And sixteen years later, as I speak to you, there is no significant noise outside my room. No guttural voice and no sound of my mother’s U-shaped walker making its presence felt through the small corridor of my house. Mother fell down from her bed again this morning.

23 years ago, in Srinagar, a team of health officials was to arrive at our school. Their aim was to administer cholera vaccines to children. But for that we were supposed to take the written permission of our parents. Back home I told my father and as expected he wrote ‘No’ on my home task diary. I found it very insulting. Tomorrow all my classmates would take the vaccine and sing laurels of their bravery. And me, I would be hidden in some corner, red-faced with shame. It was not acceptable to me. So I erased father’s nay and wrote ‘Yes’ on the diary. Next morning as the needle of the syringe pierced my left arm, I did not even flinch once. I became an instant hero. But as it is with most acts of heroism, I had to pay a price for mine as well. By late afternoon, a lump had formed in my arm. By the time I reached home I was feverish and drenched in sweat. As I pulled off my shoes, mother saw me and in one instant she knew what had happened.

It was August and even by Kashmir valley’s standards, it was hot. I flung myself on the bed. Mother came and sat next to me. She gave me a glass of milk and kept her fair arm on my forehead. It felt very soothing and cold; like a spring. I went off to sleep. Next morning as I opened my eyes, the fever was gone.

Mother handled the affairs of the house like a seasoned ascetic would control his senses. She knew what was kept where. Rice, coal powder, woollen socks and gloves, soap – she kept a tab on everything. Her daily routine was more or less defined. She would wake up in the wee hours of the morning, wash clothes in the bathroom, sweep and mop the floor of every room and corridor, put burning coal dust in Kangris in winters and ultimately take stock of the kitchen. She did not believe much in spending time in worship. She was not an atheist but her belief was restricted to occasionally folding hands in front of the Shivalinga. Her God was her home and hearth.

But mother was in awe of nature. She feared its fury. Sometimes, when a storm blew, she would close all doors and windows and sit in one corner. When she no longer could face it, she would ask my father, “Will this storm stop?” Father would usually try to pacify her, but ultimately he also lost his patience. “What do you think? Would this storm last till the doom’s day?” he would snap at her. But the same meek heart turned into brave heart when any family member struggled with adversity.

It was in the mid of 1988 that my father had a mild heart attack. Actually father had a pain in the stomach and an injection prescribed by a gastroenterologist reacted, which led to the attack. Everyone in the family was too shocked to react. But not my mother. She single-handedly took my father to the hospital in an auto rickshaw. At the hospital, mother recalls, a doctor appeared like an angel. He had a black mark on his forehead, a result of praying five times a day. The moment the doctor started examining him, my father vomited. Mother says it was so intense that it went right into the doctor’s shoes. But not once did he raise his brow. He kept on treating my father.

By the end of 1989, men like that doctor somehow became rare in Kashmir. One day mother came back from office and she was crying. In the bus someone had tried to help an old Hindu lady in getting down from the bus. Another woman, who was a Muslim, criticised that man saying that the woman he helped was a Hindu and she should have been kicked out of the bus. Mother didn’t know whether what she heard was true or whether it was a nightmare. But what she had heard and seen with her naked eyes was what seemed like holding a mirror in front of Kashmir in a few months time. The time had come, once again, to leave our homeland. The migration began. Salvaging whatever little we could, essentially a few utensils and educational degrees of my college-going sister, we reached Jammu.

After spending a couple of nights in a hotel, father hired a room in a marriage house. It was situated in the old city, amidst a bristling market of saris and dupattas. Every now and then marriage ceremonies were solemnised in the marriage house. When the crude ovens, laced with mud and gas cylinders arrived at the house, we would understand that a marriage was taking place that evening.


In the ten by ten feet room, ants held a sway. No matter what you put outside, it would be swarmed by ants in a matter of minutes. They appeared in hordes, hundreds of them, attacking every edible item. It was similar to how people would come out on streets in Srinagar, few months before we were forced into exile. Mother obviously could not put up a fight with them, but she always managed to save a bowl of curd from the marauding ants, by keeping it in a basin of water. I always felt that whenever mother took out that bowl of curd, a secret smile would pass her lips. It was like a symbolic victory for her or so I thought.

And one night, that smile was also snatched from my mother’s lips.

I remember that evening. Somebody was getting married in the marriage house. The entire compound was filled with men, women and children, dressed in shimmering clothes. The stereo with huge speakers played popular Bollywood numbers as some of the guests danced on the tunes. And a few metres away, we had closed ourselves in the room.

When the bride was taken away and the noise had eased, there was a knock on our door. Mother opened the door and found a young man standing there. He was holding a plate in his hand. He said that he had been told that there were refugees living here and so he came to offer us some food. Before mother could say something, he handed over the plate and turned back. Mother lifted the cover and I caught a glimpse of the food inside. There was rice, dal and some vegetables. Mother kept on staring at it for some time and then she cried.

After this incident, Mother developed a strange habit. She would tell all, whether they cared to listen or not, “ Our house in Kashmir had 22 rooms”.

For the next few years, we would keep on shuttling from one place to place, becoming victim of the whims and fancies of landlords. We stayed at various places. After the marriage house, we stayed in a window-less room in a dilapidated lodge, where the number of mosquitoes was probably more than the cells constituting our bodies. Then we rented a single room where we ate, studied, slept, cooked and ate our food as well. Then there was another house. The bathroom there had no door and we had to keep on coughing for obvious reasons. Amidst these episodes of Greek tragedy, mother kept her struggle on. Everyday was a battle. From filling water from a leaking tap to bathing under the tap of an adjacent vacant plot, life threw numerous challenges at us.

It was years later that I completed my education somehow and came to Delhi. Few years ago, we bought a 2-bedroom flat in Delhi. But the struggle of Jammu has left a mark on mother. She cannot walk now. Her left leg is paralysed. Sometimes she falls down as she tries to drag her leg. As it happened this morning. She cannot even speak now. Degenerative neurosis, whatever that means. With each passing day, her condition is worsening.

I walk on the road. There is a sea of vehicles moving; endless. Sometimes I feel that there are more vehicles than humans in Delhi. And when I cannot bear the noise any longer, I feel like shouting, “Our house in Kashmir had 22 rooms.”

Thursday, June 01, 2006

I want to cry

Where do I go now?
Could I possibly
Take my guts out
Clean them
With a toothbrush
And put them back

The night
Has descended
And I wait
For the next morning
To escape
Fom myself
Drown meaninglessly
In trite conversations
And then
In absinthe
Towards the evening

That mail
Has not yet arrived
And mails which have
Put wrinkles
On my forehead
Do I cry
Out of devotion
Or for the lack of it?

I hear nothing
Behind me
And soon
I will hear
Heavy breath
A body will go
Up and Down

I will switch off
The light
And lay awake
In the darkness
I will feel thirsty
And drink water
From the bottle

Would I cry?
Shall I cry?
May I cry?
Can I cry?
What does it take
To just BE
And cry?

Tuesday, May 02, 2006

No sleeping last night

Regrets come back
Like Trade winds

Window panes
Howl in the night

Words whoosh
Like a cannon ball

Sweat dries up
Inside the armpit

Turned elbows
Reflect in the glass

Darkness inside
Tastes like mint

A wet towel
Sheds tears

A drunken man
Sings on the street
A country song
Life long!

Friday, April 28, 2006

The cherry stain

Miniatures lie
in my cupboard
Like pawns
on invisible,
black and white squares;
staring at me

When I look at them
they evade my eyes
One of them
with a picture of gypsy girl
steals glances at me

Can she hear
the rhubarb of my heart?
What is it really?
A liturgy
or have I been hexed?

In a dark recess
of my heart
I caress the gypsy girl
She puts up
a mock fight with me;
snatching cherries
from the clutches of my lips

Someone knocks on the door
The spell breaks
The gypsy girl is nothing
but a label on a tiny bottle

But I can still smell
the gypsy girl's musk
My shirt is stained
A cherry
has squirted on it

Wednesday, April 26, 2006

The Missing Man

A week after his disappearance, Srikant’s family received an envelope. His father Bhagirath, responding to a knock on the door, collected it from a postman, whose nose was like an eagle’s beak.

Srikant’s name, with his address beneath, was typed neatly on the envelope and on the other side the sender’s name read as: The Marketing Manager, The Times of India. Bhagirath tore it from one corner, with the help of his silver paper cutter, lying on a table. It was a gift in lieu of annual subscription of a weekly magazine. Inside the envelope, Bhagirath found a note and a newspaper cutting. He read the note first.

Dear Mr. Srikant

Kindly find attached a cutting of the advertisement booked by you under the ‘Missing Persons’ column of The Times of India. Your ad appeared in the Delhi and Mumbai edition of the newspaper on March 22. In case of any error in the ad, please contact the Marketing Manager.

Bhagirath looked at the cutting. There was a photograph of a woman, quite clear, despite the cheap newspaper print. The woman smiled in the photograph. She wore a sleeveless T-shirt and trousers and looked very happy posing for this picture. There were details given below. Sneha, aged 34, fair complexion, tall. A small cut on her left arm. Missing from her residence since two months. In case of any information, please contact immediately: Srikant. There was Srikant’s e-mail and his mobile number provided along with his name. The same mobile number which went off that night. The night, when Srikant did not come back home.

Bhagirath felt his head spinning. He caught hold of a corner of the table and sat on the chair, as his legs wobbled. He had no clue about this woman. And he did not know how Srikant knew her and why he had given an ad in the newspaper. And where had he disappeared himself?

That night, the family waited for Srikant’s arrival. If he got late beyond 9 pm, he would always call and inform his father. Or his wife Kavita. Otherwise, they would always have dinner together by 9.30 pm. But that night, when Kavita tried to reach her husband on his mobile, she could not reach him. It was switched off.

By midnight, they were quite worried. Had he met with an accident? They tried calling few friends, with whom he usually spent his evenings. Nobody seemed to have any clue about his whereabouts.

Bhagirath handed over the newspaper cutting to Kavita. ‘Do you know this woman?’ She held it with trembling hands. She looked at it and then read the note. She did not know her. She had never heard her name. She had never seen her.

When he did not come back till the next evening, Bhagirath went to the Police. An hour after he had returned from the Police Station, a Sub-Inspector and a constable came to their house. They wanted to go through Srikant’s belongings. Bhagirath gave a nod.

‘Your son was very fond of books,’ the Police officer said as he looked at the huge rack of books in Srikant’s bedroom. Bhagirath did not know whether the officer was telling him or asking him. He kept silent.

After taking few more pictures of Srikant, they left. Kavita found a book which Srikant was reading the night before he went missing. It lay on his table, over a sheaf of papers. He had drawn some sketches here and there and scribbled in his usual indecipherable writing. The book was a novel by Herman Hesse. Narcissus and Goldmund. She opened it. On one page, Srikant had highlighted a passage from the novel with a fluorescent green highlighter:

A man’s wishes may not always determine his destiny, his mission; perhaps there are other, predetermining, factors.

Saturday, April 15, 2006

Then and Now


Tomorrow, this girl will become mother of two children. The boy with an elephant drawn on his shorts always rolls his sleeves now, at least till his elbows. His hairline is receding. He hates to wear a watch now. But time moves on.

Of Horses and Illustrations


I have been reading a number of Graphic novels these days. Sharad had got Art Spiegelman's Maus from Manchester. H sent the complete volume of Joe Sacco's Palestine. Last night, I told Sharad that I need to tell a number of stories. Mostly from Kashmir. For my stories, I don't have to depend on 'Saande ka tael' (If you know what I mean).

B said rightly, few weeks back, that if he spends an hour with his village barber, he comes back with a sackful of stories. And his barber is so witty, B tells me. One example of his humour: B sahab, you know there are only two creatures who have benefitted from terrorism in Kashmir - one the horses and two impish children. Horses because there are hardly any tourists now and they no longer have to carry fat Marwari families on their backs. Children because they are no longer required to attend school.

Meanwhile, I am trying to improve my drawing skills. Do you think I stand a chance?

Saturday, March 25, 2006

A Journey from Kashmir to London

A dog-eared copy of Crime and Punishment changed his life. My friend Basharat Peer from Tehelka told me the story of Iqbal Ahmed, who left Kashmir in 1993 to work in London. He was 26. Iqbal worked at a number of places and is currently a porter in a London hotel. It was in Kashmir that he got hold of the classic book and decided to become a writer. His loneliness as an immigrant and the way London failed him inspired him to write a book titled: Sorrows of the Moon, A Journey Through London.

You can read his experiences he shared with the London Review of Books here.

Only one Dream


This is a box item from Page number 113 of Fimlmfare, May 2005 issue. I was flipping through this magazine to pass time as my Hair Dresser Pran drank tea. And then suddenly this page flashed in front of me. As Pran got busy with cutting someone's hair, I silently tore away this page. I could not resist because for long I had been wanting to lay my hands upon these lyrics. These have been penned by Gulzar for film Kinara.

Gulzar says he always wanted to write songs that could be part of narrative. Ek hi khwab... was one such experiment. Gulzar remembers taking this song to Pancham (RD Burman). When he came to learn that Gulzar wanted him to put these words to music, he smacked his head and exclaimed: Koi kaam seedha nahi karta hai.

This song was recorded in Bhupinder's and Hema Malini's voices. Bhupi was given a pair of headphones and asked to strum his guitar spontaneously. Bhupi did it in one take.

Thursday, March 23, 2006

You have come, what for?

Life comes a full circle
I wait for it
To come to me
After taking
A merry-go-round

I have a gift for Life
A watermelon
Packed in a condom

I will hand over
The gift, to Life
And wink my eye
Saying: Chattri se Azaadi.

Wednesday, March 22, 2006

The Design of Madness

He was mad. His madness did not require him to wear torn clothes and let saliva drip from the corners of his mouth. Or to mumble to himself. Or to throw stones at people. His madness had its own way. Its own design.

Like this. He drank whisky with roasted grams. Sometimes he would begin drinking at three in the morning. Switch on his CD player and listen to the melancholic songs of Talat Mehmood. And cry very silently as the night broke down into sunrise. And then he would wet his hair, look into the depths of his retinas in the mirror and laugh. Laugh till he collapsed.

Sometimes he would begin writing in the evening. He had held himself for long. No longer anymore. He would put choicest Bhangra tunes on his player. After pouring himself half-a-finger whisky, he would begin typing. And then rise suddenly from his seat and begin dancing. His dance was so intense that frenzy would hide itself. When one song finished, it meant five hundred words and innumerable tiny droplets of sweat on his forehead. And then another half-a-finger, another song and another five hundred words. And a round sun of sweat on his shirt.

Aaja mere khaetan di bahaar ban aaja
Faslan da roop da shingaar ban aaja

Come on, be the spring of my fields
Come, be the ornament of my harvest

That was Amarjit Sandhu doing a private show for him. He danced with his eyes closed. He would even type with his eyes closed. And blindly take a swig from his glass. When he was exhausted, he stood in front of the mirror again. Looking intensly at himself, as if the mirror enabled him to see the blood surging in his arteries, he would laugh again.

By that time, Maya would appear. He would kiss her delicately, undress her and enter her. While he made love, he would recite poetry. Mostly James Thomson.

And so throughout the twilight hour
That vaguely murmurous hush and rest
There brooded; and beneath its power
Life throbbing held its throbs supprest:
Until the thin-voiced mirror sighed,
I am all blurred with dust and damp,
So long ago the clear day died,
So long has gleamed nor fire nor lamp.

Maya would begin to ebb away from his febrile consciousness. She was an illusion after all. But his madness was real. The words that you read right now are a testimonial.

Monday, February 20, 2006

The Life of Pandey Ji

The Bus Stop is no longer there. And neither is the huge billboard behind it. The flyover has devoured them. Delhi is experiencing modernisation. Everything needs to shine. With spit and polish of ambition. There is no time to value emotions. Or to preserve monuments of despair. Of hopelessness. Like the one, you could see near the Okhla vegetable market. On the yellow signboard of that Bus Stop. Before the flyover came up. Read More...

Second Part: Life is a Diode

Sunday, February 05, 2006

Campaign In Rajasthan

I have just returned back from Rajasthan, where we ran a campaign for Girl Child rights in Barmer district. The campaign also included a Bike rally from Barmer to Jodhpur, which passed through almost hundred villages. For more about this campaign log on to www.halfworld.blogspot.com









Pics (From top to bottom)
1. With friend Sharad Sharma of World Comics India outside Jodhpur railway station.
2. Examining my bike near Kavas village.
3. The rally has reached Baitu village.
4. Motorcycle rally reaches Pachpadra village famous for its salt lakes.
5. With International Bike racer Bittoo Sondhi.
6. Running along with cameraperson Tara Joshi to get a better shot of the rally.
7. Recording a song in Haathma village.

Thursday, January 19, 2006

The Elbow Cream

Today, I write about you
Words come from my gall bladder
All drenched in bile,
And wine made from cider

I remember those summer afternoons
When coal tar would stick on shoes
And you would dress up in cotton Pyjamas
Planning to set up a ruse

You, lost in your own world
And partially in mine
You’d seek refuge in the recycled paper
And lie down beside me

On the top floor of that house
I would go to sleep
and you would look at me
And then lie down beside me
(as I felt the mole near your navel)

Remember? You were after me those days
Trying to change the destiny of my elbows
Armed with, do you remember, the elbow-cream?

You’d be soon leaving for Kolkata
I knew you had surrendered
Their happiness mattered to you.
But what about my elbows, Nina?

Monday, January 16, 2006

Mind wanders in Meerut

He wore a silk scarf. One last time, he thought. He also held a silken handkerchief in his hand. Ram Bahadur put his sleeping bag and his suitcase in the rear of the car. As he shut the dickey, two crows sitting on the electric pole became alert. They tried to ward off their fear, hopping restlessly on their feet, but then decided to fly away. Ram Bahadur looked at him meaningfully and he gave a nod. The time had come...

Saturday, January 14, 2006

Postman, Bouncing High

A paralysis has gripped me. There is internal bleeding as well. Of words, which don’t come out. I imagine myself, on a bed in a hospital, wrapped in a calm, white sheet. A needle lies embedded in one of my veins, near the elbow joint. I also visualise a red-coloured Thesaurus attached to it, hanging upside down on the drip stand. I imagine.

I think of myself to be a Postman at a hill station. I walk on the lonely stretches, negotiating bends and curves; a bunch of envelopes in my hands and an old-fashioned black umbrella held under my left arm. I stop at the tea shop. I have a bun and an extremely sweet tea, served in a chipped glass. Sometimes sun shines. Sometimes I cut through the mist. And sometimes I have to open the umbrella.

Actually it is nothing but loneliness. Also, there is no agitation of mind. My inner demons are in a state of comatose. I am stuck. Struck off too; struck off from my own margins.

I try to write. Like:

When he saw a snake creeping over his leg; making a rustling sound on his silken pyjamas, he knew the time had come. Time to tell the story. (Sentence left as it is)

Insalubrious. (Nothing)

It rained heavily as we carried his body till the main road. The load was very heavy, almost backbreaking, despite the fact that he was a mere skeleton now. But carrying him from his cottage till the main road, climbing those fifty-eight steps, laden with bare leaves, we stopped at various places and tried to take stock of our breaths – the phenomenon that he had ceased to perform. (Harmonica, four years ago; as I saw it. MS word file closed)

Maqbool Sherwani. Hindu astrologer; the story of 300 apple cases. Snake bite outside Bhadrakali temple. Raahchok, the ghost. She jumped into the river. Dost Mohammed jumped after her. Leather sandals for seventeen rupees. It was snowing when I opened my eyes. Six months had passed. (Wrote it on the stick pad and pasted it on the CPU)

Yes, aware that I am dying,
I carry my body on my back
Into my mind. Take a shovel
Dig myself a pit. It’s simple. (Doc’s poem. Put it back in the cupboard)


Isko kisi ki arzoo bhi nahi. This does not desire of anything. This. This. Write Rahul write. For God sake write. Please. Write for the sake of that red wall. Write for the sake of that look in your eyes (Secret). Write for the sake of that thought in your mind (Top Secret).

If I can bounce high. High-bouncing self, I must have you!